Prior to this exercise, I spent some time researching photographic works by Francesca Woodman. Her gothic self-portraits made a huge impression on me, so I decided to make a few drawings based on her photographs. I used dark paper to convey the mysterious and moody atmosphere so charachteristic to her work. Drawing with dark soft pencil on dark grey-blue paper created a troublesome in-between feeling. It’s neither day nor night, and the person portrayed seems to occupy an in-between state. I really liked this story-telling element in the drawing process.
However, it’s not always a very rewarding experiencing to make a drawing based on a photograph. The result doesn’t come even close to the photograph in terms of emotional impact and reproduction of reality. Also, the bright highlights in the second drawing with a lying half-nude don’t look very good. They are either in the wrong places or not needed at all.
I created the third drawing of a seated man in a hat at a drawing workshop. One of the biggest classical art museums in the Netherlands Rijksmuseum organises live drawing workshops, which I sometimes (very rarely) attend. I quite like them because I get a chance to do some live drawing and explore new media and techniques. For this drawing, for example, I covered almost the entire surface of the paper with charcoal and then started working with a rubber to ‘carve out’ forms and shapes. It’s almost like creating a sculpture, but without the 3D effect of course. I like this technique as it helps me produce interesting new marks.
I’m not very happy with the shading in the drawing – in some areas it’s way too crude. I should have used softer lines when shading, otherwise, the dark areas draw too much unneccesary attention to themselves.